00100		/IT WILL BE SEEN THAT ANY DEGREE OF EITHER A MAJOR OR MINOR
00200	SCALE MAY BE TONICIZED.  /USUALLY THE NEW TONICS WILL BE MAJOR OR 
00300	MINOR, DEPENDING ON THE NORMAL FORMS OF THE VARIOUS TRIADS IN THE
00400	ORIGINAL TONIC.  /WHEN THE ORIGINAL KEY IS MAJOR, /I/I, /I/I/I AND /V/I
00500	WILL MOST OFTEN BE TONICIZED AS MINOR KEYS, WHILE /I/V AND /V WILL
00600	BE MAJOR.  /V/I/I WILL RARELY BE TONICIZED, SINCE IT PRESENTS A
00700	DIMINISHED CHORD IN THE HOME KEY.  (/THE CHORD BUILT ON THE
00800	LEADING TONE OF /C MAJOR IS /B, /D, /FN.)  /ON THE OTHER
00900	HAND, /V/I/I FREQUENTLY APPEARS AS A TONIC GOAL WHEN THE FIRST KEY
01000	IS MINOR.  (/THE CHORD BUILT ON THE SEVENTH TONE OF THE C MINOR
01100	SCALE IS /BB, /D, /F.)  /WITH A MINOR SCALE WE HAVE /I/I/I, /V/I,
01200	AND /V/I/I FORMING MAJOR TONICS, AND /I/V AND /V MINOR TONICS.  /SINCE THE
01300	CHORD ON THE SECOND DEGREE OF THE MINOR SCALE IS NORMALLY DIMINISHED,
01400	/I/I NOW BECOMES RARE AS A TONIC, WHEREAS THE MAJOR TONIC ON B/I/I,
01500	THE /PHRYGIAN SECOND, IS OFTEN USED.  (/SEE /BEETHOVEN, /SONATA #23 IN F,
01600	/OP.57, OPENING BARS; /SONATA #29 IN /BB, /OP.106, THIRD MOVEMENT.)
01700	/IN ACTUAL PRACTICE, ESPECIALLY IN THE MUSIC OF THE 19TH CENTURY, THE
01800	MAJOR AND MINOR ELEMENTS ARE FREELY INTERCHANGEABLE.
01900